<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Tsherin Sherpa on So Many Questions</title><link>https://somanyquestions.show/guests/tsherin-sherpa/</link><description>Recent content in Tsherin Sherpa on So Many Questions</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Wed, 26 Aug 2026 00:00:00 -0700</lastBuildDate><atom:link href="https://somanyquestions.show/guests/tsherin-sherpa/index.xml" rel="self" type="application/rss+xml"/><item><title>Episode 0011: Tsherin Sherpa on bringing Thangka &amp; the art of Nepal to the contemporary art world</title><link>https://somanyquestions.show/episodes/ep0011-tsherin-sherpa/</link><pubDate>Wed, 26 Aug 2026 00:00:00 -0700</pubDate><guid>https://somanyquestions.show/episodes/ep0011-tsherin-sherpa/</guid><description>&lt;p>In this episode, Kendall talks with &lt;strong>Tsherin Sherpa&lt;/strong>, a Nepalese artist who takes the visual language of Tibetan Buddhist Thangka painting and points it at contemporary subjects. His work is on view at the &lt;a href="https://honolulumuseum.org/divine-disruption-the-art-of-tsherin-sherpa-fz4q" target="_blank">Honolulu Museum of Art&lt;/a> through January 2027, and travels to the &lt;a href="https://www.seattleartmuseum.org/whats-on/exhibitions/divine-disruption-the-art-of-tsherin-sherpa" target="_blank">Seattle Asian Art Museum&lt;/a> as &lt;em>Divine Disruption: The Art of Tsherin Sherpa&lt;/em>, opening March 4, 2027.&lt;/p>
&lt;p>Tsherin is a third-generation Thangka painter, trained by his father from the age of 13 in a form built on repetition and religious iconography. A scholarship took him to Taiwan to study computer science, mostly as an escape, and he came back to assist on monastery murals before moving to California in 1998. Residency work, a Jamba Juice ad campaign built on a Thangka composition, and exhibitions of contemporary Chinese and South Asian art showed him artists using inherited techniques to talk about identity and politics. His own paintings took on a recurring spirit figure drawn from his grandmother&amp;rsquo;s stories about spirits who follow people when they migrate, along with butterflies, which appear nowhere in traditional Thangka painting and which he ties to a lifelong instinct to change form and blend in.&lt;/p></description></item></channel></rss>